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Het Interdisciplinair Instituut aan de Universiteit van Amsterdam Filosoof Robin Brouwer en Proffesor Drs. Sorin Alexandrescu zijn beide werkzaam als docent aan de Universiteit van Amsterdam aan de Faculteit der Geesteswetenschappen. Sinds 1996 verzorgen zij jaarlijks, in het kader van het onderwijsprogramma semiotiek van deze faculteit, colleges die betrekking hebben op de filosofie van Gilles Deleuze en Félix Guatarri. Robin Brouwer heeft in 1998 het initiatief genomen tot de oprichting van een Interdiciplinair Instituut. In het verlengde van de filosofie van Deleuze/Guattari richten de activiteiten zich op het verbinden van contemporaine theorievorming met actuele ontwikkelingen in de beeldende kunst, architectuur en theater. Omdat de receptie van de filosofie van Deleuze/Guatarri binnen de kunstwereld actueel is en leidt tot toepassingsmogelijkheden binnen de huidige kunstpraktijk, is besloten om aan deze bestaande cross-overs tussen theoretische verwerking van deze filosofie en de concrete toepassing daarvan meer aandacht te besteden. Choreografen/dansers, architekten en beeldend kunstenaars zullen hun werk op deze drie samenkomsten presenteren. In februari en maart 1999 zullen er aan de UVA drie samenkomsten plaatsvinden die betrekking heben op deze thematiek. Robin Brouwer Sorin Alexandrescu Amsterdam, januari 1999.


We suggest you print out these texts for compfortable reading.

Robin Brouwer bUG lounge 20.12.98
I want to tell you.doc

At the Badcuyp, 14.04.99, Lezing, robin Brouwer
Lezing

Introductie bij tekst Nomadic Dialogues for HTV De IJsberg.
for full text
bUG maps

Contemporary culture is witnessing a broad variety of different styles, ideas and activities. Among these developments a new way of thinking and experience is growing. Although it is very difficult to define this new mentality, `nomadism' can be a name for it. The concept of nomadism isn't new. In the early eigthties nomadism was associated with the squater movement and represented a corresponding alternative lifestyle. The current developments have a completely different character. Instead of being rigid and isolated in certain cultural territories, instead of having a fixed social setting and clear defined political goals, the present nomadic developments are engaged in very different social and cultural layers. Instead of operating on a macro level on which political differences are based on polarization, contemporary nomadism is functioning on a micro level of multiple and changing coordinates. It can be seen as a dynamic. A moving in the `in-between' among the existing territories, cultural and social identities and institutional boundaries. Within the world of architects, writers, artists and netsurfers we are witnessing this low profile activity. What these people have in common is the need to leave habitual domains like professional standards and hierarchies, fixed social arrangements (lifestyles, relationships), domestical patterns, psychological conditions (ego, identity, sexual difference) and institutional organisation. Instead of proclaiming the grand refusal against society and thereby reducing it's mobility, the present mentality generates a powerful and productive energy. The nomad is a traveller, connecting with many singular experiences, perspectives and ideas, operating on a small scale in the margins everywhere in our society. This new mentality strives for action, for connections of differences beyond the realm of representation and meaning. Present nomadism has been influenced by postmodernism. Certain aspects like heterogenity and multiplicity refer to a postmodern heritage. However, the micropoliticical awareness of the present mentality shows a break with the political naivety of postmodernism. Nomadism requires a combination of an experimental `elan vital' with a pragmatic ethics. To be able to move in between territories, identities and dominant meaning, one has to navigate in order to escape coding, representation and organisation, which are imposed on us every day. Dominant forms of representation, within arts, science, economy and media, constitute the present forms of production within every domain of our society. Nomadism expresses a sensibility and practical logic to mutate and therefor escape these boundaries. It is this micropolitical mentality which differs nomadism from the current postmodern tendencies which seem to have degenerated into a blind affirmation of our western culture. This mentality is foremost a practice experienced by people who operate within the fields of art, science, music, media and management. Their individual conditions and singular experiences define the different manuals, tools and coordinates suitable for these activities.
`Nomadic Dialogues' provided possibilities to broaden the perspectives on this, at the same time individual and collective, movement.
Robin Brouwer, augustus 1998.

 

 

 
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and the Digitale Stad
Emer Beamer